We Have A Cast!!!

So the show has been cast and we have officially begun rehearsals!!!!

The full cast assembled today for the first time and we had our first Read Through. It went very well...though we didn't actually get through the whole script - clearly someone is going to need to cut another 20 pages...BUT, the reading went great!!! It was so exciting to hear Mary's beautiful words coming out of the mouths of actors instead of out of my mouth talking to my reflection in a mirror and trying to figure out if this show is going to work. Having heard actual actors, and really talented ones at that, actually start to play around with the characters and bring something of themselves to the show...it was thrilling...it was, it is- what I live for and, I can tell you now, this show is going to work...and this was only the first day!!! I can't wait to see what happens when we really start to play with the script, with movement, with tech and design elements. I'm hoping to post some cast info - headshots and bios on the website soon. Keep an eye out for updates. AND, I promise, I will try to update the blog regularly throughout this rehearsal process, but for now, I'm hitting the hay.

Only ONE DAY LEFT for Kickstarter donations!!

ONLY ONE DAY LEFT to be a part of the DREAMERS OF THE DAY on STAGE Kickstarter Campaign!! Thank you for helping us reach our goal, now help us blow past it like a semi truck passing a family station wagon on I-95 at 3am!!!

You can still be a part of the action, and as my 7 year old nephew says, "This is SO much ACTION!"

Click here for details and to donate:
Kickstarter: Dreamers of the Day on Stage

We've got a theater, we've got a crew, now let's get a cast, shall we?

Things are heating up...

The Showcase Application has been submitted to Equity and is pending approval.

The Theater has been booked!

DREAMERS OF THE DAY will open on September 16th at the Roy Arias Theatre Center at the Times Square Arts Center at 300 West 43rd Street. The show will run for 3 weeks until October 2nd. Details and ticket information will be posted as soon as it is available.

We're almost crewed up!

We've got ourselves a set designer, a stage manager, a sound designer, a choreographer and a projections designer. We're still waiting on word about a lighting designer, but, seeing as we're still 6 weeks out from opening night, I feel like we're in pretty good shape.

And now, we just need a cast!

Auditions will be held Monday and Tuesday. Depending on how the initial auditions go, we'll probably do call-backs next weekend. Currently we're on track for an August 15th rehearsal start date!

KICKSTARTER!!!

You may have heard rumblings through newsletters or facebook, that we have launched a new fundraising campaign at a website called Kickstarter. I'm here to tell you, the rumblings are true! Kickstarter.com is this awesome site that helps fundees find funders. In the website's own words: "Kickstarter is a new way to fund creative ideas and ambitious endeavors... Kickstarter is powered by a unique all-or-nothing funding method where projects must be fully-funded or no money changes hands."


We have launched a campaign specifically for DREAMERS OF THE DAY. Although donations on Kickstarter are not tax deductible, they do come with rewards attached. Rewards like free tickets and behind the scenes access to the production. Take a look at our Kickstarter page to learn more or to make a donation. (there's a little video and everything):

Kickstarter - Dreamers of the Day on Stage!

As you'll see from the site, we only have until August 1st to hit (and hopefully surpass) our goal. So, the clock is ticking!

GOING TO TAHITI is going to the BAR!!!

When I first moved to New York and was faced with a big scary rent and no real job which would help me pay the big scary rent, I went through a couple of stages. The first stage was - Temp Jobs, wherein I signed up with 8 different temp companies and took every office job that I could (no kidding I have a scrapbook of letterhead from like 30 different temp jobs.)

I quickly realized that the whole temp job thing sucked and so I moved on to stage two - Waitressing, wherein I got a CRAPPY job waiting tables at a restaurant near my Upper East Side apartment (a two bedroom with 3 people in it. This wasn't an UES penthouse, people). Now, this crappy job had a couple of good things going for it: 1) the food was really good, so when I worked long hours and I needed to eat there, I had access to a good meal and 2) the staff of mainly middle easterners served up some great home cooked (or restaurant kitchen cooked) meals that weren't on the menu but that they invited me to join them in consuming. So the date, rice, chicken dish I had during Ramadan was awesome and something I still think about on occasion. That being said, with the exception of those to things, it was a crappy job and leaving that place was one of the greatest things I did.

And then there was stage Three - Bartending. This was my favorite stage. This was the stage where I spent a lot of money and took a two week bartending course so that I could learn to tend bar and then I would immediately be hired by a Cheers-like establishment, where everyone would know my name and would love that I did this whole "tend bar" thing while I worked on my directing projects and within a year or two, I would be a famous and successful director and I would leave the bartending profession with fond memories and great stories... it was a brilliant plan... too bad it didn't so much, you know, happen. Instead, after I spent all my money to take the bartending course and I went out there with my brand spanking new bartending resume which read "graduate of the American Bartending School" and then nothing, wouldn't you know it? No one would hire me because I lacked "experience." WhatEVER! People are so picky. Anyway, that little setback sent me back into Stage One and the various temp jobs led to more permanent office jobs and a whole lot of office experience - ugh.

"Who cares, Jess?" you ask.

"Well you do," I answer. And here's why:

Finally, after 15 years of my bartending certificate lying dormant in a drawer, I am resurrecting it, like a Phoenix from the ashes, and I. am. tending. BAR! Ok, so it's not like I've got a new job or anything, I'm guest bartending at BAR12 at 206 34th Street in NYC. And it's only from 6-9pm. And it's a one night only engagement - FRIDAY, June 25th. And, I'll have a "real" bartender backing me up with helpful reminders on how to make, uh, just about everything. But still, it should be fun.

It's all in support of our upcoming production of Dreamers of the Day. It's $10 at the door or $17 if you want the extended happy hour. AND, we just heard from a donor who is willing to match funds raised up to $1000! So come on out and help make our bartending night a success. And seriously, with me behind the bar, there should be no end to the hilarity that will ensue as I try my Tom Cruise Cocktail moves. (If anyone from management at Bar12 is reading this, no worries, my "Tom Cruise Cocktail moves" are limited to a cocky grin.) Oh, and I make a small request that you not decide to play stump the bartender with your drink orders and keep it to things like "vodka, on the rocks." I already know what goes in that drink order. Heh.

Here are the details again:

When: Friday, June 25th 6:00-9:00pm

Where: Bar12 at 206 East 34th Street

How much: $10 to get in the door or $17 for the extended happy hour

Second Draft - DONE! Now, in search of a Crew!

So the second draft of the script is finished and is currently with a few trusted readers for editing suggestions. It's still entirely too long (need to cut about 30 pages) but it's at least in production form and, in fact, in good enough shape that if I had a cast and crew right now I would feel comfortable workshopping it. The biggest change of this round of editing is that the play, originally envisioned as a one woman show, now includes a cast of 5 people. It's a pretty big change but one that I think will really benefit the overall production.

Speaking of the overall productions, I am currently looking for a crew to get started on pre-production design. If you are a set, lighting, sound, costume, or props designer, or if you are an artist of any type and are looking to try your hand at theater, or if you know someone who fits into one of those categories, please send them my way. They can reach me at jessica@goingtotahitiproductions.com. We're looking at performing the show in a blackbox theater with a minimal set and I think for the right kind of designer this could be a really fun project.

LEND ME A TENOR

For my first wedding anniversary, my husband indulged my love of live theater and took me to see the current run of Lend Me A Tenor at The Music Box Theatre on 45th Street. This version of Ken Ludwig's VERY funny farce was directed by Stanley Tucci and stars Tony Shaloub, Brooke Adams, Anthony LaPaglia and Justin Bartha. It was, in a word, HILARIOUS! Just great fun all around. The actors were clearly having a great time and Stanley Tucci's directing was superb.

One of the things I love about watching comedy is also one of the things that scares the crap out of me when it comes to directing comedy, which is that you need to walk a very narrow line. You never want to push for a laugh but at the same time sometimes you need to go pretty far out on the edge to get the laugh. If you don't know where that line is, then regardless of how hard the actors are trying, it can be a pretty interminable hour and a half. If the audience isn't laughing, you've got nothing. In my opinion, drama is much more forgiving. What I thought Stanley Tucci did marvelously was walk that line. He knew exactly how to direct this comedy and there were some gags in this show that I will not give away here but that were literally "fall out of the chair" funny. (At one point, I did in fact slip out of my chair laughing.) One last thing, at live theater, although people don't usually get out of their seats before the house lights come up, I definitely recommend staying through the curtain call and not bolting as soon as the lights go down on the show. Lend Me A Tenor has a brilliant gag as part of it's curtain call which is truly not to be missed.

Seriously folks, if you get a chance and you want to laugh, go see this show.